E.M.A
E.M.A
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tenreiro:

Thanks for the many nice replies!
Some really talented people. Nice to meet you! :)
I’ll be following some of your blogs with Bloglovin.

Screenshot above is from a nice commission I’m doing!
Still a secret. More on that in a few weeks.

Read More

Permalink (50 notes)Source: tenreiroVia: garabating
tenreiro: Thanks for the many nice replies! Some really talented people. Nice to meet you! :)I’ll be following some of your blogs with Bloglovin.Screenshot above is from a nice commission I’m doing! Still a secret. More on that in a few weeks. Read More
Permalink (512 notes)Source: yummy-postsVia: hawtvintage

highonflowers:

Belle of the Ball. Anouk De Heer by Mark Kean for Wonderland

Permalink (87 notes)Via: highonflowers
highonflowers: Belle of the Ball. Anouk De Heer by Mark Kean for Wonderland
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wgsn:

In one of the most hotly anticipated #NYFW shows of the week, Alexander Wang stripped his signature silhouettes back to the most basic of shapes, carving each item into flat planes.

Their construction lines were marked with sheer inserts and oversized fagotting, creating a geometric play on solid and sheer/light and dark. The result was architectural, linear and had an ineffable sense of modernity.

SUBSCRIBERS CLICK HERE FOR THE FULL REPORT

Permalink (66 notes) Via: wgsn
wgsn: In one of the most hotly anticipated #NYFW shows of the week, Alexander Wang stripped his signature silhouettes back to the most basic of shapes, carving each item into flat planes. Their construction lines were marked with sheer inserts and oversized fagotting, creating a geometric play on solid and sheer/light and dark. The result was architectural, linear and had an ineffable sense of modernity. SUBSCRIBERS CLICK HERE FOR THE FULL REPORT
wgsn: In one of the most hotly anticipated #NYFW shows of the week, Alexander Wang stripped his signature silhouettes back to the most basic of shapes, carving each item into flat planes. Their construction lines were marked with sheer inserts and oversized fagotting, creating a geometric play on solid and sheer/light and dark. The result was architectural, linear and had an ineffable sense of modernity. SUBSCRIBERS CLICK HERE FOR THE FULL REPORT
wgsn: In one of the most hotly anticipated #NYFW shows of the week, Alexander Wang stripped his signature silhouettes back to the most basic of shapes, carving each item into flat planes. Their construction lines were marked with sheer inserts and oversized fagotting, creating a geometric play on solid and sheer/light and dark. The result was architectural, linear and had an ineffable sense of modernity. SUBSCRIBERS CLICK HERE FOR THE FULL REPORT
wgsn: In one of the most hotly anticipated #NYFW shows of the week, Alexander Wang stripped his signature silhouettes back to the most basic of shapes, carving each item into flat planes. Their construction lines were marked with sheer inserts and oversized fagotting, creating a geometric play on solid and sheer/light and dark. The result was architectural, linear and had an ineffable sense of modernity. SUBSCRIBERS CLICK HERE FOR THE FULL REPORT
wgsn: In one of the most hotly anticipated #NYFW shows of the week, Alexander Wang stripped his signature silhouettes back to the most basic of shapes, carving each item into flat planes. Their construction lines were marked with sheer inserts and oversized fagotting, creating a geometric play on solid and sheer/light and dark. The result was architectural, linear and had an ineffable sense of modernity. SUBSCRIBERS CLICK HERE FOR THE FULL REPORT
wgsn: In one of the most hotly anticipated #NYFW shows of the week, Alexander Wang stripped his signature silhouettes back to the most basic of shapes, carving each item into flat planes. Their construction lines were marked with sheer inserts and oversized fagotting, creating a geometric play on solid and sheer/light and dark. The result was architectural, linear and had an ineffable sense of modernity. SUBSCRIBERS CLICK HERE FOR THE FULL REPORT
wgsn: In one of the most hotly anticipated #NYFW shows of the week, Alexander Wang stripped his signature silhouettes back to the most basic of shapes, carving each item into flat planes. Their construction lines were marked with sheer inserts and oversized fagotting, creating a geometric play on solid and sheer/light and dark. The result was architectural, linear and had an ineffable sense of modernity. SUBSCRIBERS CLICK HERE FOR THE FULL REPORT
wgsn: In one of the most hotly anticipated #NYFW shows of the week, Alexander Wang stripped his signature silhouettes back to the most basic of shapes, carving each item into flat planes. Their construction lines were marked with sheer inserts and oversized fagotting, creating a geometric play on solid and sheer/light and dark. The result was architectural, linear and had an ineffable sense of modernity. SUBSCRIBERS CLICK HERE FOR THE FULL REPORT

bureaubetak:

Lacoste SS 2013 Produced and designed by Bureau Betak

Permalink (13 notes)Via: bureaubetak
bureaubetak: Lacoste SS 2013 Produced and designed by Bureau Betak
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womensweardaily:

Accessories Trend: Conversation Clutches

Kotur’s brass and lacquer clutch with Ippolita’s sterling silver, black shell and diamond ring. BCBG Max Azria’s dress.

Permalink (108 notes)Via: womensweardaily
womensweardaily: Accessories Trend: Conversation Clutches Kotur’s brass and lacquer clutch with Ippolita’s sterling silver, black shell and diamond ring. BCBG Max Azria’s dress.

indesiray:

q’d

Permalink (81,753 notes)Source: chicgardenVia: wintercouture
indesiray: q’d

lulufrost:

WE ARE SO INSPIRED BY

Nancy Cunard

Permalink (49 notes)Via: lulufrost
lulufrost: WE ARE SO INSPIRED BY Nancy Cunard